The River Bride
by Marisela Trevino Orta
Directed by Robert Ramirez
by Marisela Trevino Orta
Directed by Robert Ramirez
American Players Theatre Touchstone Theatre June 17th - September 30th, 2022 Scenic Design: Regina Garcia Costume Design: Haydee Zelideth Lighting Design: Jesse Klug Sound Design & Original Music: Brandon Reed |
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About The Play
Helena's feelings about her sister Belmira's wedding to Duarte are complicated, much like her relationships with both Belmira and Duarte themselves. But Helena's thoughts are redirected when her father literally fishes a mysterious man out of the Amazonian river, sending everyone's plans into upheaval in this riveting fable about the complexities of love.
As a design team, our goal was to help breath life into the Amazon that encompasses the village that our show takes place in. We wanted the audience to feel like this jungle is always alive and always present, but also feels like it's the same no matter what time period we are. It always feels the same and it's isolated from the rest of the world. We also wanted to explore how Moises and his magic effects the world from the moment he arrives to the finale of the play. The audience would get the sense of how something always feels different about the world of the play whenever he is around. How he can magically make this village feel unique and no longer isolated from the outside world. Disturbing what they've always known to be real.
The sound design helped tell the story in two main ways. The first being the constant presence of the jungle and how it affects the characters within the story. It's the one thing that is consistent throughout the entire show. It's what makes the world feel timeless and it's own little sphere free from the outside world. It changes and flows with the times of the day, but it's always persistent. The second way being Moises himself, and how he effects the world around him. When he arrives he brings a new quality to this timeless world that is ethereal, alluring, and captivating. When he is in a scene, the ever-present ambience of the amazon subtly shifts. Faint magical sounds or sonic textures are layered in and morph the soundscape in a light and airy way. The sound design helps us feel just as trapped as our characters, but it also shifts and evolves as things challenge their pre-conceived notion of the world around them.
As a design team, our goal was to help breath life into the Amazon that encompasses the village that our show takes place in. We wanted the audience to feel like this jungle is always alive and always present, but also feels like it's the same no matter what time period we are. It always feels the same and it's isolated from the rest of the world. We also wanted to explore how Moises and his magic effects the world from the moment he arrives to the finale of the play. The audience would get the sense of how something always feels different about the world of the play whenever he is around. How he can magically make this village feel unique and no longer isolated from the outside world. Disturbing what they've always known to be real.
The sound design helped tell the story in two main ways. The first being the constant presence of the jungle and how it affects the characters within the story. It's the one thing that is consistent throughout the entire show. It's what makes the world feel timeless and it's own little sphere free from the outside world. It changes and flows with the times of the day, but it's always persistent. The second way being Moises himself, and how he effects the world around him. When he arrives he brings a new quality to this timeless world that is ethereal, alluring, and captivating. When he is in a scene, the ever-present ambience of the amazon subtly shifts. Faint magical sounds or sonic textures are layered in and morph the soundscape in a light and airy way. The sound design helps us feel just as trapped as our characters, but it also shifts and evolves as things challenge their pre-conceived notion of the world around them.
The Sound Design
Musical TransitionsFor the scene transitions, I wanted to compose my own music. I wanted something to give the passage of time, but also feel like it is it's own world separate from everything else. Just like the village of our characters and how it's separate from the rest of the world in it's own little space. In my musical research of the amazon countries I learned that much of the music is folk based and pulls instrumentation and influence from surrounding countries. I used an Array Mbira that is bell like instrument that is similar to an African Mbira. I also used a Tongue Drum and other African percussion to create a melodic, but percussive score for transitions that was dreamy and mystical in quality to vibe with the rest of the show.
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In the aftermath of that night months ago, Helena sits alone on the pear they leaped from collecting her thoughts. She is convinced of what she saw, but her family refuses to accept what happened. Believing Belmira to have drowned with Moises in the river, but she believes she witnessed them transform. Helena gets back with Duarte and even becomes pregnant with their child. She claims she will never love Duarte as she did Moises, and will always feel a sense of emptiness. However she will do her best to be a good wife. She begins to cry and accept her fate of living with a broken heart and family as she drops the necklace Moises gives her into the river. Ending the play.
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