Living Room Cruise Lines
by Hank Green & EJ Cameron
Directed by Chad Rabinovitz
by Hank Green & EJ Cameron
Directed by Chad Rabinovitz
In The Box Entertainment Performed entirely on Zoom November 4th - November 14th, 2020 Music: Beth Hyland Video Design: Brian Nappi Scenic Design: David Wade Lighting Designer & Production Management: Erika Johnson Sound Design: Brandon Reed Cast: Cruise Director: Michael Turrentine Voice of Pirate: Thomas Tiggleman |
In the fall of 2020 as many theaters are attempting to figure out how to move their seasons online, a collaborator and director I've worked with in the past, reached out to me about a new adventure he was embarking on. Rather than performing the typical play readings on Zoom that most people were doing, he decided to dive headfirst into creating a new form of online performance. Combining Zoom with interactive technology, Chad transformed his home theatre Bloomington Playwrights Project into a multi-media studio by the name of In The Box Entertainment completely decked out with green screens, video cameras, and sound equipment. Anyone who purchased tickets would be mailed a physical box that contained props to allow them to interact with the show as it happened on Zoom. The show would also be sold to other theatre companies to present as part of their season as well. The production would be performed live every night.
Bringing me on as the sound designer, I worked with Chad and the rest of the production team to create this new interactive performance involving a blend of live acting, recorded video, and called cues. Ranging from reinforcement for our sole actor into the Zoom feed, creating soundscapes, underscoring, adding sound to video, and providing mixing and audio restoration for guest performances in between scenes. Playback was vastly different from just the typical QLab setup. It involved a mixture of QLab, Wirecast, blending cues in both programs separately, and sometimes together. This blend into both programs was dependent on the complexity and need to allow the entire production to be run by a single operator and stage manager.
Our first venture into this new medium was Living Room Cruise Lines, a live interactive performance involving a Cruise Director wishing to recreate the many cruises that his own parents produced in his childhood. The audience embarks with our director on a lengthy voyage involving show tunes, high jinks, unruly audience members, towel animals, yoga, and other things you would find on your typical cruise vacation.
Bringing me on as the sound designer, I worked with Chad and the rest of the production team to create this new interactive performance involving a blend of live acting, recorded video, and called cues. Ranging from reinforcement for our sole actor into the Zoom feed, creating soundscapes, underscoring, adding sound to video, and providing mixing and audio restoration for guest performances in between scenes. Playback was vastly different from just the typical QLab setup. It involved a mixture of QLab, Wirecast, blending cues in both programs separately, and sometimes together. This blend into both programs was dependent on the complexity and need to allow the entire production to be run by a single operator and stage manager.
Our first venture into this new medium was Living Room Cruise Lines, a live interactive performance involving a Cruise Director wishing to recreate the many cruises that his own parents produced in his childhood. The audience embarks with our director on a lengthy voyage involving show tunes, high jinks, unruly audience members, towel animals, yoga, and other things you would find on your typical cruise vacation.
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